The Night Seeds and the Missing Letter

In the village hall of Little Fenwick, there is a library that lends seeds. Gus is its librarian. He wears a green apron full of pockets. His glasses never stay on his nose. Every spring, the whole village comes to borrow beans, poppies and pumpkins. Every autumn they bring the new seeds back.

Most of the seeds sleep in the shallow drawers upstairs. They are ordinary and quiet. But the best seeds live in the cellar, in a cabinet of black wood. Gus calls them the night seeds. They are older than the village, and they have one strange habit. They wake up when anyone sings.

A sign hangs on the cellar door to warn visitors. It says, in tall painted letters: NO SINGING. Or it did, once. Today, the first letter has flaked away, and the sign says only: O SINGING.

Gus sees it at seven in the morning and drops his key. "Lars!" he shouts up the stairs. "Come and look at this, please."

Lars is the village painter. He paints fences, boats and shop windows, and he painted the sign twenty years ago. He arrives with a brush behind his ear and a mug of cold coffee. He stares at the door for a long time.

"That is not good," he says at last.

"It is a disaster." Gus waves his hands. "The Seed Fair begins tonight. The Fenwick Choir comes at five to sing the opening song. They will read that sign, and they will think we are inviting them to sing in the cellar."

"O singing," Lars reads. "It does sound like a welcome. Like a little cheer."

"Exactly. And if they sing, the night seeds wake. I have seen it once. The whole cellar turned into a jungle in ten minutes." Gus takes off his glasses and cleans them on his apron. "We have until five o'clock. We need to put the missing letter back."

Lars looks into his paint box. "I have blue, yellow, and a lot of white. I have no black. The old sign used black."

"Then we make black." Gus opens a cupboard and starts to pull out jars. "Soot from the stove, a little oil, a spoon of ink. Mix it. I will cut a stencil from card so the N looks the same as the others."

They work through the whole morning. The mixing is messy, and the stencil is crooked at first. By two o'clock, they have a deep black paint and a neat paper letter. Gus holds the stencil against the door. Lars lifts the brush.

That is the moment when the front door of the hall bangs open.

"Hello, hello!" calls a cheerful voice. "We are early!" Thirty people in blue scarves are walking into the hall. They carry music books and a large brass bell. At the front is the choir leader, a round woman with a happy voice.

"Not now," Gus says. "Please, not yet. Wait outside for a moment."

But the choir leader has already seen the sign. She reads the letters, and her eyes light up. "O singing!" she says. "How lovely. We were just going to warm up. Come along, everyone, one, two, three."

Thirty voices rise together in a bright, loud chord. The sound rolls through the hall like a wave. It goes through the floorboards and down the stairs. Gus and Lars look at each other. Under their feet, something starts to rustle.

The cellar door bursts open with a crack. Green shoots pour out of the dark and climb the walls. They curl around the shelves, the lamps and the tables. Leaves unfold like hands. Pumpkin vines race along the floor, and bean stalks reach the ceiling beams in a few seconds. In a minute, the hall looks like a forest.

The choir stops singing, and there is a stunned silence. Then the vines stop growing. They hang in the air and tremble, as if they are waiting for the next note.

"Do not sing again," Lars whispers.

"We have to," says Gus. He has an idea, and it frightens him. "Listen. When the choir sang up, the plants grew up. When the song stopped, they paused. So the seeds follow the music. What happens if the music goes down?"

"They go back to sleep?" Lars asks.

"I hope so." Gus turns to the choir leader and speaks quickly. "Please, can you sing something slow? A lullaby. Soft, and every line lower than the one before."

The choir leader nods. She raises her hands. Thirty voices begin a gentle song about the end of the day. Each phrase drops a little lower than the last. The vines start to sway.

Slowly, the leaves fold back. The long stems shorten and curl. The great beans fall silent. On every branch a small round pod swells and closes, like a green lantern going dark. Gus walks through the hall with his big basket and catches them as they fall.

By the time the song ends, the forest is gone. The tables are bare, and the floor is clean. Only the pods remain, hundreds of them, resting in baskets and on shelves. Each one is warm and smooth, and each one holds a hundred new seeds.

The village arrives for the fair at five. They find a tidy hall, a happy choir and a long table covered in fresh pods. Gus gives one to every visitor. "They are the best seeds we have ever had," he says, and it is perfectly true. "Plant them, and sing to them softly."

At the end of the evening, Lars finally paints the sign. He uses the black paint and the crooked stencil. The first letter is back in its place, and the door says NO SINGING again. Then he takes a smaller brush and adds a line underneath, in careful letters: Except lullabies.

Gus laughs and puts the key in his pocket. He stands in the empty hall for a moment, in the quiet. Then, from a basket on the table, a single pod opens by itself.

Pop.